#idk who wants to do this or not so if you want and wasn't tagged just go ahead and feel tagged (and @ me)

[unknownati]

iv. ekko x gn!black!reader hcs

a/n: they got me yall.

sorry for whoever followed me for tlou content we'll be having a brief intermission i'll come back to them in a minute js let me get this out my system 😭🙏🏾

warnings/tags: no use of y/n, no mention of reader's features (except for being black, but it's only in a few points 🤷🏾‍♀️ so it can be read otherwise), arcane s2 spoilers (minor), sfw and nsfw hcs, (oral sex, kinks, riding), in some au where everyone is happy and nothing bad ever happened 😊, never proofread we ball 🔥

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sfw:

- i feel like ekko is a bit shy (awkward shy though, not shy-shy...does that make sense) when you first get into a relationship with him, and it's just because he's shocked that he's managed to get with you. at first he's stumbling over words, playing off your compliments, desperately trying to keep eye contact with you but if he does he just keeps smiling because you look so good.

-one time, while riding past you on his hoverboard, you waved at him. he waved back, but even as you walked away his eyes kept following you. if it wasn't for scar warning him at the last second, he would've crashed straight into a wall.

- his cockiness comes later into your relationship, every successful action he does followed by a grin that you roll your eyes at.

-and did y'all see the way he looked at powder in ep. 7? his puppy dog eyes are LETHAL.

-he doesn't even know it either. every time he wants something, he just looks at you with those eyes and murmurs "please, ☆?" you fold so quick.

-(you've tried to learn to resist his eyes as they are what caused you to sprain your ankle in a hoverboarding accident since he begged you to race him. he just wanted to show off, too. he didn't stop apologizing for weeks.)

-he usually doesn't really like people touching his hair. he's fine with the kids doing it from time to time, but in general it's not his favorite thing in the world.

-you, however

-you get a pass because you get it. you know how it feels for your hair to just be like a petting zoo from time to time. you know exactly how to help him care for his hair, so much so that he's stopped doing his own retwists. (not like they stay in for very long, you immediately help him sweat it out 😊)

-he's made a lot of random little things for you, like a small chain necklace with an empty locket. he kind of sucks at wrapping gifts though, so he just handed it to you with a stupid smile while you two were perched at the top of the firelight tree.

-"ekko, this is so cute," you mutter, your bottom lip jutted out in adoration as you inspect the delicately crafted chain. small mistakes here and there, but you loved it.

-he also learned how to sew just so he could make you a bonnet/durag. he even sewed a crude little "e" in the corner of it, and made himself one with your initial in it as well.

-will randomly shadow box you out of no where. it's some form of cuteness aggression or something, because you'll be talking about your day while absent-mindedly twiddling with the hem of your shirt, and suddenly there are fists flying towards you that he knows to never let connect.

-"...ekko, the fuck are you doing?"

-he makes small noises that sound like "shoo" every time his fist flies, watching you stare at him with an unimpressed look.

-saw someone else say this but yeah ekko can't hoop. sorry

-he CANNOT hide his facial expressions. he may tell you one thing, but his face will never lie. if you're out eating and you feed him a bite of your food, you can watch his face contort into one of disgust, so much so that he almost looks offended. upon realizing that he doesn't want to yuck your yum, he'll fix his face into the fakest smile you've ever seen and nod.

-"...ekko, go spit it out."

-you've never seen him reach for a napkin any quicker.

-idk who the arcane universe's michael jackson is but, when he was younger he absolutely learned all the dances.

-probably the biggest softie the world has ever seen. he's very tough in public, but once he closes the door behind you two and climbs into bed with you, he's clinging onto you like a sloth.

-if you like painting your nails, he'll (hesitantly) allow you to paint his nails to match yours.

-(these next few ones are sliiightly for me 🤭)

-loves when you draw on his arms.

-until he can't get whatever marker you used off of his skin in the shower, so now he's walking around looking like a coloring book with little flowers, hearts, and signatures on his arms.

-he hangs up all the drawings you make of him up along his work space. sometimes he forgets one and leaves it on his desk, so it's a pleasant surprise to find a drawing of himself among scattered and disorganized papers while he was cleaning up.

-has gotten used to you randomly biting him. you'll come up behind him while he's working, and he already knows it's coming when you rest your chin on his exposed shoulder. 2 seconds later, your teeth are sinking into his skin. he just chuckles, but he does ask once.

-"why do you do that?"

-"oh, i dunno. i just like doing it. 's how you know i like you."

nsfw (very brief i'm sorry):

-praise kink. you couldn't tell me otherwise

-loves giving praise, loves receiving praise.

-when he's giving you head, he almost does it for his own pleasure. feeling your hand rub against his undercut while you whine and mutter "fuuuck, ekko, you're so good. don't stop please" is all he needs

-and i'm glad we've all agreed he's a thigh guy too 🙌🏾

-and IK we say this about every fictional man but HE WHIMPERS.

-he starts off with groans and grunts, but the closer he gets, the more his voice starts to shake and his words start to become whines.

-he looooves when you ride him holy shit

-looking up at you while your face contorts in pleasure is absolutely on his top 10.

-and if you stare into his eyes while you do it? his soul has left thanks!

-in general he loves eye contact. when you look up at him with his length between your lips, you can see his brain start to short-circuit.

-he's definitely the type to make sure you finish first before he even gets to think about his own pleasure.

-he's usually super sleepy afterwards too, but he refuses to lay down for a second until he makes sure you're all cleaned up and comfortable before he's out cold on your chest.

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[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[faerieomenart]

My Mandalorian oc, Jaemi (she/her), a badass armorer, but also a complete goof who can't talk to pretty women without getting flustered (good thing she has a helmet, ig).

Jaemi is Mandalorian Nightsister? Idk how else to describe it. She was taken away by pirates at a young age as a sort of peace offering, and she wasn't really wanted anyway because she couldn't seem to grasp magic nor had any interest in it. I forgot what age she was, but it was young. Anyway, some Mandos ran into the pirates and ended up coming across Jaemi and adopted her, to make the story short. Jaemi is fully aware that she is from Dathomir, though she does not remember anything about it from when she was a child. So she shows her respect for her heritage through her facial tattoos inspired by the Nightsisters, and designed her armor to resemble their clothing as well.

Drawn: June 6, 2023.

[show-us-kaidenshenandoah]

my tags wasn't enough, i had more than 30 tags worth of things to say about worldbuilding and food (feel free to read said tags in past reblog, aka it's this post's "previous tags" which hopefully you know the process to get to that) but i will restrain myself of truly babbling as much as i really want — for instead the following:

i will repeat that worldbuilding = culture, and culture = food, what are meals here, how many meals are here, where do the ingredients come from, how does seasons impact what you can eat, what do they eat for birthdays, etc + clothes, what silhouettes and types of fashion are here, where do they get these outfits' materials (livestock? plants? dyes?), what special occasion outfits are there or is there any regalia to occupation/type of dancing/age/etc, how do outfits change with seasons + so on and so forth

here is a great youtuber who has a playlist analyzing world-building, and it can include things like food. my favorite video from this playlist is for the show "Ascendance of a Bookworm" (yes, the playlist is linked as part of this video btw) which does specifically go into food (as do other videos within said 10-video-long playlist. another video within the playlist is "Dungeon Meshi" which is very much about food). please watch as much of the playlist as you like! another video of his about worldbuilding, that is not in this playlist, is about "Castle In The Sky"'s worldbuilding as shown in that intro-instrumental bit of the film specifically (a movie my brain farted and called "Nausicaä: Valley Of The Wind" in my tags before, iGNORE THAT)

and here is another great youtuber. his entire channel is largely about "how to write" and various aspects of worldbuilding. but i do want to mention that this conversation is biased towards Hard Worldbuilding, evidentally, and he has some videos that are in support of softer worldbuilding too (which, my memory could be off, but i dont think he gets into food often? but an example of Soft Worldbuilding and food would be how idk how the fuck Chihiro/the spirits has access to food in "Spirited Away", they just kind of begin and end with a vague ✨️magic food✨️ vibe about how these are meals for the dead, but the soft worldbuilding there not including how they source this food is not bad worldbuilding at all). it's best, in terms of mind-set, to have different types of worldbuilding for different projects in my opinion

In Defense of Soft Magic Systems

Hard Worldbuilding vs. Soft Worldbuilding | A Study of Studio Ghibli

and this is in regards to stories outside of fantasy period-pieces as well. like, "Coraline" for example is VERY fascinating to analyze in respects to food. both what Coraline eats, what the Other Mother eats (or rather doesn't eat), what the Other Father eats (he is starving, always), what foods are available to who and when; and that is a story that takes place in modern-day and has some pretty restrained fantasty elements as part of the Other Mother's powers and whatnot

but even things like "this character never cooks, only orders out or eats other people's homemade food or eats leftovers" can say a lot about the individual (doesn't take good care of themself, or doesn't have the time or energy to, may have been neglected as a child from learning this life-skill, could be a lot of reasons why they can't cook), even if the character themself is from a culture that has a rich history with food

i will admit some cultures have a more restrained history with food, like Indigenous Americans' intertribal culture (which, hi, hello, i am one such Indigenous American) has a semi-strained, semi-loving relationship with frybread. bc it's not a "cultural"-food, it's a survival food. it's a food that was invented bc people were starving, forced into bottlenecks of limited, unfamiliar ingredients due to us being forced into reservations and militant forces not allowing us access to trade for other ingredients on these lands that yielded poor crops and limited to no livestock. as a result, frybread is super unhealthy. (though some Indigenous American chefs have worked to make healthier varieties now) but also frybread is a cheap, easy food to make that celebrates that we survived a time when people tried to kill us via starvation, but it also is a symbol of said starvation attempt as it was a food that was only created to help its people survive rather than as an expression of culture. hence, a relationship with a piece of food that is semi-strained, semi-loving. so that is an irl example of how food can be a cultural yet not-cultural yet also a history-informing item

so, if you want to read me praising the fuck out of Hard Worldbuilding including meals and how the implications even of something as simple as "this culture eats lots of beef" can be unfolded, read my past reblog's notes. but also, Studio Ghibli does really Soft Worldbuilding masterfully, and also mentions food here and there throughout their films, while not always explaining where it comes from (i think "Howl's Moving Castle" is one such example, as Sophie goes to a market to buy food for said moving castle's residents at one point. but, again, where the spirits import food (besides pigs, i guess) into the bathhouse for its workers, guests, and Chihiro to eat is beyond me). and neither worldbuilding method is superior than the other, i just have more to say about the One That Inherently Requires More Self-Questioning than the other, evidently. but food is an excellent way to show, not only culture (or survival) within said worldbuilding, but an individual's personality (eg. the Can't Cook aforementioned example), relationships (eg. aforementioned "Coraline" example), or emotional state (eg. in "Spirited Away", when Chihiro cries while eating her food because it's the first moment she has been able to safely process what has been happening to her, and the food tastes so good and was a kind gift, and she us just so overwhelmed and sad), and so much more

i think, overall, it is best to have stuff match. as in, if you have a hard magic-system, then you probably should map out and source your food in similar levels of detail for your own reference, even if it may never show in the narrative, just so you can be consistent. and then, if you have a soft magic-system, it'd be wise to have a similarly soft worldbuilding relationship with food. your audience expects hard worldbuilding with hard magic-system, and soft worldbuilding with soft magic-systems. i cant think off the top of my head of any examples where we get a juxtaposition of hard/soft that ends up with a well-polished story audiences love. and if you dont have a magic-system for the worldbuilding to reflect, then have the worldbuilding reflect similarly to what your story does examine. like, "Pulp Fiction" is soft towards what is in the suitcase, and similarly has a soft worldbuilding and explatory attitude towards its cast of characters, and it's also pretty soft about what the characters eat and drink being sourced from where (the most famous is probably the coffee lol), which fits as it's in contemporary LA and you assume most food there comes from similar places as your food does irl but no one knows for sure, but there's still an interesting relationship to food to follow within this film and whatnot

edit: i finally thought of a story that does a mix of Hard as well as Soft Worldbuilding, and luckily enough the example includes food in its story and that would be "Over The Garden Wall" (spoilers ahead). it has a ridiculously heavy amount of research put into it, from the fashion and architecture to the very doorknobs, and it does both explain and not explain its world as the Unknown is both real and not as it was a type of limbo of "Dante's Inferno" that Greg and Wirt experienced when they were almost drowned to death. it is the only story i can think of where arguably what happened within it was "just a dream" yet that ending doesn't make people unhappy this time around; i think because there is a real feeling of "they could've died if they didn't escape the Unknown, so the stakes were real, they had an arc, this story still matters". and, to me, i think the Hard Worldbuilding is the reality within the world— like the fashions, doorknobs, Wirt and Greg's hometown, as we later see evidence of characters in the Unknown having tombstones and the like in the Wirt and Greg's hometown, there is pieces of reality that carried over beyond death and into the Unknown— whereas the Soft Worldbuilding was the fantastical elements, like the anthromorphic animals, Adelaide's magic, the bluejay curse, the Beast, the pumpkins and skeletons, the lantern, and so on that do not have a real-life equivalent. and one thing that does have a real life equivalent is food, almost all the food in this show is real, even if i wouldnt personally wish potatoes and molasses on my worst enemy. i'll sooner slurp a turtle, like the dog and Auntie Whispers. but also Endicott's food and the tavern food looks so good. but, yeah, we really don't know anything about where these real-life meals are sourced other than that they are real foods you could theoretically make yourself (like Endicott is not eating mashed potatoes, gravy, peas, and some kind of sliced meat like ham), but the one fantasy meal that is those turtles has soooo much mystery surrounding them that it is nigh-infamous how much the creator dodges questions about those lil turts lol so!! if you do want to mix Hard and Soft Worldbuilding, just do so thoughtfully and have there be a consistent and clear line. for OTGW, that's putting a ton of hard-research into real-life, historic equivalents within the Unknown to Wirt and Greg's hometown juxtaposed with extremely soft fantasy elements of the Unknown unexplained as there is no magical equivalent in Wirt and Greg's hometown. consistency, consistency, indeed lol

anyway, hope the free resources help ✌️ thanks for letting me yap about why you should let your characters eat and also maybe pay attention to what they eat lol

Is this anything

[catkin-morgs-kookaburralover]

questioning sexuality is so exhausting

[unnamed-atlas]

Finally finished sweet tooth s3. Having incredibly mixed feelings

[averlym]

a word to the wise sometimes the only true rest is looking beyond what you thought was success

so true! adamandi is full of wise advice such as this, including: "and you'll never feel better if you - fucking die- you stupid ass!"

[fragglerockopinions]

The worst thing about suffering is that it still hurts when the danger is over but no one cares about it anymore because it shouldn't hurt. No one will ever say "I'm sorry that happened to you" especially when they barely say "I'm sorry that's happening."

[dootznbootz]

There's something so specifically infuriating when someone uses one of your experiences or your demographic in an argument, especially if said argument is about spreading hatred or is just so wrong. They "speak on behalf of the ___" to say such fucked shit.

"You're not thinking of the ___!"

"I literally am ___. You saying that adds nothing as you do not speak for me or for other ___. Shut up."

[neverendingford]

.

[thornshadowwolf]

DAN AND PHIL RETURN????????

[the-acid-pear]

I have yet to keep inspecting the sweepstakes, I need some air and food first, but I might as well share what I've been thinking about Mike today, because I heard of an interpretation saying Mike was a camera man for Spamton which ... Is very interesting. Like for me this makes me think of Mike as someone who admired Spamton, someone way smaller than him, definitely younger imo, who simply excitedly followed along with the orders given. I mean, up to a certain point. I mean this feeling is reinforced in the q&a when asked about Mike, that makes Spamton get very defensive, almost protective. In my eyes it almost creates this almost platonic familiar bond dynamic whatever. But like this is just a shot in the dark, bc what we know is, 3 lines, period. But if when chapter 3, 4 and 5 come out and Mike is there and I'm right about these things then I'm gonna feel like a god tbh.

[vulpinesaint]

STOP cause who was gonna tell me that i was genuinely actually not well my whole teenage years. how did i end up consistently hanging out with the most mentally ill people on planet earth so that i thought i was normal in comparison. "idk i just feel like being hit by a car would fix me. not to die or anything just to feel the impact and get like a physical reset :)" BRACKEN YOU WERE NOT NORMAL

[lightningfilledsaber]

I’ll be talking about the last post I reblogged in the tags of this post for the sake of the person I reblogged it from

[ablednt]

I don't understand cave johnson likers the only comedic value his character brings is how awful he is and then it's like anyway here he is committing multiple atrocities lol and the half of you are like omg funny sillay guy

Not saying this in the you're a bad person for experiencing media wrong way but in it genuinely baffles me portal has so many funny silly characters and y'all are like "I like the blatantly evil millionaire CEO who murders innocent people for fun. I think it is very funny when he hates homeless people and uh fires people for being in wheelchairs."

[xbladekitkat85]

well that was some traumatic shit